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So what I'm getting is that you hate X-2 because of its light tone and a small sliver of cheesecake.
While we're at it, let's hate on FFIX because Zidane is actually fun to be around and FF5 for Bartz's free spirit. I mean, seriously, FFX-2 made no pretense at being a super-serious dramathon. You could gather that from the box art. I liked it because Yuna was finally free of her burden and actually was, y'know, living for herself, the way she wanted to, and enjoying her new life and the freedom from fear of a giant monster that regularly messed shit up just to make life Hell under a religion directly supporting it. Without all the pomp and bullshit, yeah, people were re-adjusting to life without a Sword of Damocles all the time. And they were still very much in the process of adjusting. Many people DIDN'T let go, and the ones who did were badly in need of direction. The entire world was an odd mix of the old trying to find a place in the new, people still wearing the same clothes as always, even in vastly different positions, still not quite on kilter yet. Yuna and crew represented a new wave blazing a path into an uncertain future. They dressed like no one else dressed, and their constant changes in decor could be seen as highlighting the uncertainty of where the world was headed, like a teenager experimenting with being goth or prep in an attempt to find their niche. They could be seen to represent experimentation, but they had the confidence to do so. There are a lot more allegories and explorations than you're giving the game credit for, Snake. |
So much ass will be kicked. Effectively all of it.
Well, I've got Tidus and Yuna their Celestial weapons. Auron is strong enough that he can survive long enough to be switched out with Lulu. Lulu doesn't have her Celestial because FUCK THAT. I have all the summons. Tidus has Auron's breaks learned. I think I'm ready to kick all the ass.
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I actually probably won't bitch about it.
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So... I'm pretty sure that was the worst final boss in the history of the Final Fantasy franchise. Like... just... wow. So terrible. I'm gonna go back to the game now so I can finish the cinematic and then bitch about the ending. |
One random question: can anyone explain why the Guado guard just breaks Jyscal's sphere without any question? I know that Spirans are all about their Maesters, and you just killed theirs, but if you were given a message from your previous Maester, wouldn't you be slightly interested in what he had to say? Or was this supposed to show that the guards were in on Seymour's whole thing?
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Great, albeit flawed, game.
I think the latter.
So. I'm done. I'm finished with this. It was a lot better than I expected it to be. The ending was great, though I would have preferred it if it had ended on the father and son high five bit. I have a lot of complaints about it, but overall it's a great game, and certainly one I'd recommend to people. I still think the soundtrack for this game may be the best the series has seen, though I'm sure someone will point to another one and prove me dumb. I do think it was dumb to make Seymour's backstory, you know that thing that led to him becoming a villain, be something you had to find an optional Aeon to earn, but it was pulled off really well, I'll give it that. And that's that! The longest journey lasted about fifty hours, and I got a decent amount of stuff completed in it. I can now scratch another FF game off the long list and feel a little prouder of myself. Yay. |
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I'm not okay with taking the kinda gentle and quiet Yuna and putting her in booty shorts with double handguns. Just, you know, saying. |
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Edit: Also, I happened to like the light tone. Yeah, it's a little goofy, but they're really not saving the world until, like, two seconds from the end, anyway. Their main mission for most of the game is a happy one, looking for Tidus, and the game gets appropriately serious when serious stuff happens. |
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Honestly, the first is probably about a million times more sexist. |
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EDIT: Yuna can be an Action Girl or Yamato Nadeshiko and I don't care which I just don't know how the hell you get from one to the other. |
I don't know.
It's pretty easy to justify any character changes in a two year period given what that two year period consisted of. Especially in Yuna's case, when we consider that she never actually got to be her own person before, and was constantly living in her father's shadow/convinced she was going to die so there was absolutely no point for her to even think about the possibility of having fun or being anything other than a sacrificial lamb. Plus, her main influence over those two years during which she was undoubtedly trying to discover herself was Rikku with a dash of Brother and a splash of Paine. If that doesn't make you goofy, nothing will. Edit: There may be some bias in my justifying it, however, because I would be perfectly happy if every single Yamato Nadeshiko was turned into, literally, any other character trope overnight. I fucking hate that character trope so much. SO much. |
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But I digress. |
NonCongratulations, lol
Soo congrats NonCon. Watcha gonna do now?
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What about FF9 for music? Actually how long has it been since you played the 9th installment.
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P.S. HAY LOOK I'M A FLOWER!!! |
May check out Flower, Sun, and Rain.
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