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#81 |
The Straightest Shota
Join Date: Nov 2003
Location: It's a secret to everybody.
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Here's the issue, let's say they make it and it sucks (as it probably will, I agree).
A few people lose like... 20 minutes of time downloading it and playing it for a bit and realizing it sucks. This is basically of no consequence to anyone, so why care? If they make it and it's good, against all odds, there's another fun/playable game on the market. So basically you have two outcomes. One is zero sum, the other is a plus at no cost to anyone. So why, in the world, would you want to kill it because it will probably be zero sum? Further: You don't have to listen to the fanbase. God knows I don't. You don't see me all up all over the forums saying that TTGL/Dr. Who should be killed forevers because nothing with that much hype from that many nerds has ever been that good, do you? You didn't see me calling for Bayonetta to be cancelled because I thought it would suck and the hype was over the top before it came out, did you? I mean, I said it would probably suck and I wouldn't play it (as I haven't), but that was it. Just because you hate the hype is absolutely no reason to hope for a game to get C&D'd. It's just selfish to want something dead in the water just so that you don't have to hear about it. This is why I said your argument is less cohesive than Blues's. At least Blues had moral outrage--however misplaced--at his side. He's arguing because he thinks the law needs be upheld and these companies have these rights. He's arguing because he wants protection to still be there for the little guys when he tries to release his own games. I don't AGREE with his arguments because of my views on copyright law, but they are an argument I can respect (beyond the whole, third times the charm, thing). Your argument, however, comes off as little more than throwing a temper tantrum because too many people are enjoying something they SHOULDN'T. That is what is wrong with what you've said there. Maybe I'm MISSING something, here. But really, Nonsie, that's what you've been repeating. The hype pisses you off, so you're glad the game got killed.
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Last edited by Krylo; 01-30-2010 at 09:35 AM. |
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#82 | ||
si vales valeo
Join Date: Jun 2004
Location: Where US HWY 59 and 80 cross
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Therefore, they take action to protect the integrity of their intellectual property. Not necessarily an attack on you, just pointing out how this whole copyright thing works from a legal view.
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#83 | |
The Straightest Shota
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To see my arguments on THIS you can look at my discussions with Blues over the last few threads. Or the cliff notes version: Copyright law has been artificially extended, rewrote, and altered to something that no longer has anything more than a passing resemblance to what it once was. This is, emphatically, a bad thing for any kind of artistic endeavor as that all works are derivative. Ergo, said laws can, frankly, kiss my ass. Legal isn't the same as ethical, and though copyright laws are perfectly LEGAL they are about as far removed from ethical as one can get at this stage in the game. This isn't about the 'internet's culture of self entitlement', either. This is about the way the creative process works, the way copyright laws USED to be written, and the ACTUAL reason that copyright laws ever existed in this country. Pro-tip: It was to protect the consumer by ensuring new inventions and artworks were made--it wasn't to protect the intellectual property of corporate monsters.
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#84 |
Sent to the cornfield
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I'm very late to this but I'm totally in Krylo's camp here.
See my mom is a professional author- her living comes from selling books. I spent a lot of time growing up with the people copyright laws are supposedly protecting. They all unanimously denounce them because they are bullshit and are designed solely to make companies more money. They destroy creativity and cooperation and do not benefit artiists. These aren't super-rich mega authors either, they are breadline- need every cent they can get. And copyright laws fuck them up the ass. |
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#85 | |
Blue Psychic, Programmer
Join Date: Feb 2007
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I'd just like to point out I largely agree with you on copyright law, Krylo, as I've said a ton in this thread. It's VERY abusable, especially if you're the first to do something, like Trump copyrighting "you're fired." Or if there simply aren't sane provisions for something, like big seed companies copyrighting seeds they find in archives. Frankly, I hold the belief that language and natural resources should be off limits just as a start to the problems with the law. Also all the Mickey Mouse laws. It really shouldn't be so hard to put in a provision that if the creator or designated party is still using something, it should still be protected, plus a small grace period of maybe five years, without extending copyright indefinitely.
I really do dislike these arguments, as well, possibly as much as you do, because people do have very firm opinions on the matter. And I apologize for snapping at you back there.
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#86 | |
si vales valeo
Join Date: Jun 2004
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I'm not saying that they are fair or anything, I'm just trying to stay neutral in a discussion on a forum and I saw a question and decided to answer it, but honestly I do wholeheartedly believe that the internet as a culture has gotten to the point where we feel entitled to things we aren't.
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#87 | |
The Straightest Shota
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Your kids will never play Chrono Trigger or Final Fantasy 6 or any of the other classics of our era, unless they are 'video game pirates' because they will never fall into public domain. There IS no public domain anymore. There used to be. Used to be a time when falling into public domain was the norm. That time is long gone. I mean, maybe some people don't understand what that means? Well, let me put it this way, then: If Shakespeare had been born into a culture with our copyright laws, none of us would have ever read (or seen) Hamlet or Romeo and Juliet. If Johann Von Goethe had, we'd have no idea what the Damnation of Faust was. Things that don't fall into public domain die. Works that have derived heavily from each, or even copied them except for updated settings (such as Romeo + Juliet, which was fantastic), could never have existed. Most modern music couldn't exist if the Amen Beat had been copyrighted and enforced. Modern copyright laws are killing artistic integrity and the creation of new works--and the 'internet's culture of self entitlement' is, frankly, the only thing that is actively fighting them.
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#88 | ||
We are Geth.
Join Date: Nov 2003
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Hey Noncon, just going to throw out there but this--
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I'm not saying you're not right about the rest...but saying that pirates are entitled to stealing SNES games is a bit of a stretch.
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#89 |
Sent to the cornfield
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I don't see why it's a stretch at all
Pretty much all the best pieces of art and literature the world has ever produced were adaptions of something else, many of which would have been shut down today. Artists BENEFIT by being able to use other people's work to enhance their own. Copyright benefits nobody except the shareholders of large companies. Last edited by Professor Smarmiarty; 01-30-2010 at 12:02 PM. |
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#90 | |
The Straightest Shota
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In addition to what SMB said, as the whole "Art builds on the past" thing has been part of my argument all along:
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If it was public domain you can be certain SOMEONE would be. As it stands, I can be pretty certain that, no, no they won't be re-releasing these games for the next generation or the generation after. Edit: I'm not necessarily saying that they are entitled to those titles RIGHT NOW, but they never will be entitled as per current law, and there is a point where they certainly should be. Edit 2: Though I do have to ask, does the VC have CT without the DS additions to the game? As in the original SNES cart version? 'cause if not, then I'd say the pirates are entitled to it already, as it's the only way they can get the version they want.
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Last edited by Krylo; 01-30-2010 at 12:33 PM. |
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